Welcome to my work from freshman year of college also known as Spring 2011 Cinema Production 1 taught by Joshua Bonnetta.
Over the months I have written a few posts about how Instagram is bad for photojournalists and how it really shouldn’t be used. However, that is a very specific viewpoint to write from and I feel like I didn’t give Instagram a fair chance.
This past weekend was the Forward on Climate rally in Washington D.C. I was fortunate enough to cover it for The Ithacan. So, myself and a staff of 4 other reporters, photographers and videographers headed to D.C. to check it out. It was a great time, here are some quick shots.
Here at Ithaca College there is a large group of professors who stand by their beliefs and ideals. These professors are activists and constantly go out and protest and do work in order to make these ideas known and to fight injustice. As a part of a collegiate institution they share their beliefs with their students and try to be the inspiration for them to get out and fight for what they belief in.
Election night is always emotional, no matter who you are backing. Here in Ithaca, NY people were able to celebrate President Barack Obama’s re-election. With triumphant and emotional cheers.
Selections of my photojournalism will also appear from time to time. This is how I am introducing this new section on this site. Hope you enjoy! Here is the first image, a personal favorite.
Noise was never a good thing. But, everyone still seems to want to emulate the grain of film.
Pushing film two stops so that you can get a usable image was more important than the amount of grain that you may see. It was the norm to have to deal with grain. Now that we have moved to digital sensors it seems that we are afraid to see anything besides a perfectly clean image on the camera’s LCD screen. The immediacy of digital has let us know how we can change things to “fix” the image in camera, and see when we take unusable photos.
Why should we be afraid to push the boundaries of our cameras technology?
I support the ability of modern day cameras to reach these absurd ISOs. Years ago I never would have imagined being able to shoot outside at night and have a perfectly exposed image. Independent filmmaking would also still require a lot of startup money. Now, we can shoot for bare minimum and produce something of quality.
In the realm of photojournalism it means we can go new places with less equipment and get the shots we need. The other day I was shooting at ISO 25600 in a pub late at night. I took photos. That is awesome. No flash, no unnecessary lights, just capturing the mood as it was set up for the show.
At first glance I have heard shock at the ISO speeds I was shooting at. But then when I have shot video on the same SLR I have heard that it is too clean and sharp. Where are we going to finally accept the world of digital and accept it on its own, without thinking about it in the context of celluloid.
Many companies are even trying to produce the ability to add grain to digital footage.As much as I appreciate the nostalgia for film, I respect the advancement is technology that allows our industry to advance to incredible heights. Accept the look of noise and forget the look of grain. It is a part of the digital image making process and we should see it as such.
A Journalist’s Code of Ethics
-To hold my work to the highest standards.
-To not do anything against my own beliefs, values and virtues.
-And to do no harm.
-I must keep myself free to pursue my own goals while at the same time making sure that my work can benefit others when possible.
-To never be held to any single belief or idea. Never allowing my thoughts to stop evolving.
-Finally, to always allow for change.
14th to 17th
An experimental film created with found 16mm film footage.
A film by Shawn Steiner and Leah Nielsen
Please try to read into the deeper meaning of experimental work. It is a piece by my friend and I that we created by searching through bins of 16mm footage for hours.
Organizers of the 2012 Finger Lakes Environmental Film Festival are celebrating the event’s 15th year in Ithaca in a big way — with a focus on small utopias.
Each year FLEFF planners choose a new theme to unite all the films and incite discussion and discourse about a specific topic, which is one of the goals of the festival. This year an art installation made entirely of recyclable and sustainable materials that was created by interns represents the theme of the festival. This theme, microtopias — which means small utopias — is used to explore environmental issues without constraints or limitations.
Sophomore Gautam Singhani, an intern for FLEFF, likes the idea because he links the theme to the festival itself.
“FLEFF is like a microtopia within a microtopia,” he said. “Both the festival and the college are microtopias that I feel are a great example of our current theme.”
Singhani is one of about 30 students currently interning for the festival. This is one of the ways that FLEFF organizers try to garner student participation.
“I love meeting all the new media artists and other guests,” he said. Art Jones, a multimedia artist, spoke during a master class Monday afternoon in the Park Auditorium about the state of the media industry.
Jones also led a multimedia performance Tuesday night in Hockett Hall that involved putting together approximately 70 minutes of footage the night before.
Jones also attended the opening event of the installation art Monday in the Handwerker Gallery. He said he enjoyed talking to students and being able to open a discussion about the breaking down of barriers between high culture and low culture, along with sharing his experiences with students.
Ann Michel, the president of Insights International, a business research and analytics company, is one of the coordinators of the internship program. She said this has been a successful year because of the returning team leaders and the signature live music events.
“These events stand out because of the live performance,” she said. “It makes it more theatrical. It makes it more special.”
Tanya Saunders, an executive producer of FLEFF and assistant provost for international studies and special projects, said part of the festival’s continued success is that students, faculty members and staff can get involved easily.
The festival has consistently become larger every year, attracting more and more guests. This year, more than 50 artists and filmmakers are in attendance.
The festival features events including new media performances with singers, films and artists, and the classic theater film. But, Patricia Zimmermann, professor in the Department of Cinema, Photography and Media Arts and co-director of FLEFF, said people should explore their own interests.
“Everyone needs to find their own path,” she said. “FLEFF asks nothing of people, except to ask questions.”