Did the “one hour photo” speed the death of film?

One Hour Photo
Standard
One Hour Photo

The film and prints received from the local shop that still is able to send out film.
Shawn Steiner/In Focus

Recently, I had a roll of 35mm Kodak Ektar 100 processed at a local drug store. I was satisfied. There were 38 developed images (yes, it was a 36 exposure roll, I’m that good) and a set of prints along with a CD. The darkroom chromogenic prints, while appreciated, are atrocious. The scans were better, but still not good enough for my applications. Now, this was expected for my project.

My workflow was always planned to involve taking the negatives and producing my own scans and inkjet prints. The everyday person, however, may have a different reaction. I would image tit to be along the lines of, “This looks terrible!” or “My friend’s new point and shoot looks amazing compared to this!” Basically the person will come to the conclusion that it is time to move to digital.

Amelia Marino

My friend Amelia posing for a shot with some Kodak Ektar 100 35mm film.
Shawn Steiner/In Focus

The prevalence of these one hour photo shops proliferated a change in a desire for quality for the necessity of speed. Digital allows for the best mixture of each for the average consumer. They don’t have access to personal darkrooms to process their film in a timely manner, and they most likely don’t realize the capabilities of their film negatives.

So did these workflows lead to an increasing disappointment with the quality of film?

If I were to imagine being a normal consumer I feel like I would make the change to digital much faster if I thought that the cost of processing film was no longer worth it.

These prints are good enough for being a quick reference, but otherwise I can see this as part of why consumers moved so quickly into the digital realm.

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